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The Journal · August 2026

Behind the shoot: a collaboration between friends.

When the photography space in the new studio was finally finished, Sarah didn't book vendors. She rang her friends. This is the story of the first editorial made in it — the gowns, the FOUNDATION shapewear, flowers grown in a friend's own garden, and the women who made it all together.

Behind the scenes of the FOUNDATION editorial — the red paper backdrop and dried floral arches in the new Sarah Stoute Bespoke studio photography space

A new space, and the people to fill it

The move to the new studio in Sydenham gave us something we had never had: two fitting rooms, a proper home for the FOUNDATION range, and — tucked at the back — a dedicated photography space. A backdrop, good light, and room to make things.

A space like that asks to be christened. So for its first editorial, Sarah gathered the people she has grown closest to over three years of shoots, weddings and long seasons: a florist, a photographer, a makeup artist and a model, every one of them a friend first and a vendor second.

The FOUNDATION bridal shapewear display wall in the new Sarah Stoute Bespoke studio, Sydenham, Christchurch

Flowers grown, dried and painted by hand

Start with the thing everyone asks about: those towering deep-red arches. Alanah Conner of Alanah Conner Wedding Florals grew every stem herself, in her own garden and greenhouse. Then she dried the flowers by hand, spray-painted them, and built them into sculptures matched exactly to the red of the new backdrop.

That is months of growing, drying and making for a single day of photographs — floristry as art rather than decoration, and you can see it in every frame. Find more of her work at @alanahconnerweddingflorals.

Hand-dried, hand-painted deep red bouquet by Alanah Conner Wedding Florals resting on a chair beside a floral arch

The eye behind the camera

Every image in this story — and in our shapewear guide — was shot by Ellen Cayford (@kaikouraphotographer), a genuinely sought-after wedding photographer whose work runs far beyond weddings.

Sarah, Alanah and Ellen are a trio with a friendship that runs through the year — catching up whenever the road goes north or the girls come down to Christchurch. The shoot is simply that friendship at work: Sarah bringing the gowns and the shapewear, Alanah her flowers, Ellen her eye. And the model — a close friend of Ellen's — gave the whole day its ease, wearing the gowns and those colours as naturally as anyone we have ever photographed.

Model in a black tulle gown with an open back between Alanah Conner's dried red floral arches, photographed by Ellen Cayford
Model spinning in a tulle two-piece against the red backdrop, tulle skirt caught mid-motion, photographed by Ellen Cayford

Hair, makeup and a helping hand

On hair and makeup was Jessica Nicole (@jessicanicole_makeup) — one of Sarah's closest friends in the vendor community and the artist beside her on countless collaborations over the last three years, from The Tannery to Ridgecliffe.

Jess is the one who always turns up for her fellow vendors — to work, to help, to steady the day — and a genuinely lovely person on top of an enormous talent. Every shoot she touches runs warmer for having her on it.

The model in the makeup chair during preparations for the FOUNDATION editorial, hair and makeup by Jessica Nicole

Stronger together

Here is the part we most want to say out loud. What makes the Christchurch wedding industry special is not any one vendor — it is that the best of them refuse to treat each other as competition. Sarah has found her people: women in business who back each other, power each other through the tough seasons, and would rather build something beautiful together than guard their corner of it.

This shoot is what that looks like in practice. Nobody was hired; everybody brought their best. Each of these vendors is brilliant in her own space and worth booking in her own right — and from Sarah: thank you for the friendship, the collaboration, and this beautiful work of art we made together.

The credits

Want to see what all of this was in aid of? The imagery now lives in our guide to what to wear under your wedding dress, silhouette by silhouette — with the FOUNDATION pieces it features available to try at the studio and at foundationbysarahstoute.com.

Made in the studio. Together.

The gowns, the veils and the FOUNDATION shapewear in these frames are all fitted in the same Sydenham studio the shoot was made in. Come and see it for yourself.

7/65 Brisbane Street, Sydenham, Christchurch · By appointment Tue–Sat